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RENAISSANCE PAINTERS 
 
  • Leonardo da Vinci
  • Piero della Francesca
  • Fra Angelico
  • Giovanni Bellini
  • Early Netherlandish Painting
  • Erotic Art In the Renaissance
  • Glorification: Religious Abstraction in Renaissance and 20th Century Painting
  • The Erotic Object: Sexuality in Sculpture From Prehistory to the Present Day
  • The Erotic Object  in Close-Up
  • Sex in Art: Pornography and Pleasure in Painting and Sculpture
  • Sacred Gardens: The Garden in Myth, Religion & Art

  •  

     
     
     
     
     
     
     
     
     
     
     
     
     


     

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    Andy Goldsworthy   |   Art   |   Art in Close-Up Series   |   Sculpture   |   Painters   |   American Painters    |   Renaissance Painters   |   Renaissance Writers   |   Cinema   |   Media, Cinema, Culture, Feminism   |   Feminism and Gender Studies   |   Women Artists and Writers   |   Literature   |   Poetry    |   Contemporary Poetry   |   Novelists and Fiction   |   19th Century and Romantic Culture   |   European Writers   |   Fairy Tales   |   British Poets   |   Kate Bush  | Shakespeare Studies   | Arthur Rimbaud Studies   | D.H. Lawrence Studies   |   John Cowper Powys Studies   |   Thomas Hardy Studies   |   Hayao Miyazaki   |   John Hughes   | Brothers Grimm   |  Ursula Le Guin   | J.R.R. Tolkien   | Harry Potter and J.K. Rowling   |  Mind, Body, Spirit  |  Journals   |   Alchemy Records   |   Index of Titles, ISBNs, Dates and Prices   |   New Titles and Forthcoming Books   |   TV arts documentaries on DVD and video    |  Creative Writing groups   |   Authors' Mentoring and Guidance Service
     
     
     
     
     
     
     
     
     
     
     



     
     















     
     

    Leonardo da Vinci


    ......

    by James Pearson

    Leonardo's art is the apotheosis of Renaissance - and Western - art. He depicted angels, Madonnas and saints in ever-mysterious images. His sfumato paintings remain some of the most hypnotic in art. The sheer intensity of Leonardo's curiosity and his spectacular inventiveness in the fields of science, botany, geology, anatomy, medicine and warfare make him more than worthy of the name 'universal genius'.
    The most erotic artist of the Renaissance, the one who created the darkest and the strangest images, who created the most hypnotic smiles in art, who took Western painting to the highest point it has reached, was not Michelangelo Buonarroti, Andrea del Sarto, Fra Angelico, Sandro Botticelli or Piero della Francesca, but Leonardo da Vinci. He is the creator of the Mona Lisa, and '[t]he Mona Lisa is without doubt the most famous work in the entire forty-thousand year history of the visual arts' writes Roy McMullen.
    Leonardo da Vinci is one of the most celebrated of artists. He is the artist-as-hero, the artist-as-genius - undisputed genius (like William Shakespeare or Sophocles). Leonardo is exalted for his amazing mind, his scientific curiosity, his ideas on botany, anatomy, architecture, weaponry, engineering, etc. He wrote copiously, on art and painting, and philosophy; subjects studied in his notebooks include geology, optics, acoustics, music, mathematics, anatomy, hydraulics, ballistics, weight, movement, naval armaments, flight and so on. He 'invented', or rediscovered, the bicycle, an early form of military tank, the helicopter; he understood the principle of gravity before Newton, and explained why stars twinkled before Kepler; he prefigured Bacon, Galileo, Huygens, Cuvier and Halley, among others. Nothing is neglected in Leonardo's 'scientific' curiosity about the world. Artists have long studied all manner of things, despising the relatively recent notion of 'specialization'.
    Fully illustrated.
     

    Painters Series   Bibliography, notes, illustrations   ISBN 1861711637   186pp   £14.99 / $22.99     NEW EDITION
     
     













     
     

    Piero della Francesca


    ...

    by Naomi Haskell

    One of the major artists of the Quattrocento, Piero della Francesca, who died in 1492, turned mathematics and perspective into a mysticism of space and light. Piero's graceful planar geometry was a precursor of Cubism and 20th century abstraction. Haskell concentrates on Piero's series of monumental Madonnas, the magnificent Madonna della Misericordia and the mysterious pregnant Goddess, the Madonna del Parto, also his Arezzo fresco cycle, the Resurrection, and the enigmatic Flagellation.
    Piero della Francesca has one of the most special and distinctive forms of space in painting. The bright, timeless spaces of Piero are instantly recognizable, and critics sometimes evoke Greek sculpture in connection with Piero's paintings. One might also see in his hermetic, ritualized and timeless paintings the art of Chinese landscape painting, with its evocations of emptiness, which hints at the radical void of Eastern mysticism (in Zen Buddhism and Taoism). Piero's hypnotic art coolly melds science with art, space with spirit, the personal with the cosmic, and history, myth and religion with time.
    Like the art of ancient Greece, Piero's paintings rejoice in eternal brilliance, an architectonic precision, a 'Classical' feeling for proportion and harmony. In Piero della Francesca's epoch, perspective, proportion and geometry attained a fetishistic quality. 'Seeing was theory-laden' as Michael Baxandall put it. Piero's sense of mathematics and perspective took in commercial arithemetic on the one hand, and the transcendent purity of the Pythagorean solids on the other.
     

    Painters Series   136pp   Illustrations, bibliography, notes    ISBN 1861711611    £14.99 / $22.99     NEW EDITION
     



     

    Fra Angelico

    Art and Religion in the Renaissance


    ...

    by Rosalind Mutter

    Beato Angelico is the Quattrocento painter of Florence whose Annunciations, Enthroned Madonnas and San Marco frescoes are amongst the greatest works of the Renaissance. Rosalind Mutter founds her reading of Angelico on the San Marco Museum in Florence, with its deeply moving series of monk's cells and frescoes. The author interprets Fra Angelico as one of the greatest religious artists of any era, whose simple, bright and holy images are among the most profound in Western art.

    Fra Angelico, known by various names, including Fra Giovanni Beato Angelico da Fiesole (1399?-1455), is one of the very few painters of the Italian Renaissance who painted religious pictures exclusively. Almost all Angelico's paintings are religious - he did not paint secular portraits, like, say, Giovanni Bellini or Ghirlandaio. It was Vasari who stressed Angelico's purity, holiness, faith, humility and devout nature, and this description of Angelico as a holy monk-like painter persists throughout the centuries. John Ruskin called Angelico 'an inspired saint'.
    It is in San Marco in Florence that Angelico's 'saintly' reputation was forged. He (with assistants) painted fifty frescoes at San Marco. The paintings reveal a traditional form of Christian worship: Angelico's is a conventional kind of Christian theology and devotion. Some critics emphasize Angelico as a stylist. Of course, Angelico did not separate style from content in the way modern critics do. Clearly, they are part of the same thing. For the Renaissance religious painter, the aim is to come up with a style, colouration and technique which accords with one's beliefs, as well as flattering the faith of one's patrons. So Angelico's 'sweet style' stems from his blending of painterly technique with religious understanding.
    Fra Angelico stands at the transition between the mediaeval and Renaissance worlds. Angelico's 'feelings are in the Middle Ages', Bernard Berenson wrote, yet he was distinctly a Quattrocento, Renaissance painter. His art combines the timelessness and rigidity of icon painting, where figures are caught in bright, static, hieratic motions, with the new painterly explorations (in form, style and space) of the Quattrocento period.
     
     

    Painters Series   114pp   Illustrations, bibliography, notes    ISBN 1861711629    £14.99 / $22.99     NEW EDITION
     



     

    Giovanni Bellini


    ...

    by Julia Davis

    Giovanni Bellini (c. 1430-1516) is the author of some of the most exquisite of Renaissance paintings. He is, in a sense, the painter's painter, who had a long career, like his pupil, Titian, in painting. He influenced many artists, among them Titian, Giorgione, Vecchio, Sebastiano del Piombo, and Albrecht Durer. His influences include Andreas Mantegna, his father, Jacopo Bellini, Antonello, and Donatello.
    Giovanni Bellini does everything in his paintings that Renaissance painters are supposed to do: he painted beautiful pictures, devotional images, of the Madonna, Christ and various saints; he painted mythological scenes, and scenes from history; he refined and defined Early Renaissance space, bringing it into the High Renaissance; he inaugurated a new feeling for landscape; he remained true to the sacred and emotional aspects of painting to the end of his career; he developed the various formats of Renaissance painting - the small, private devotional pictures, the large, public altarpieces, a host of secular portraits and large-scale friezes.
    One might see Giovanni Bellini as supremely a high Renaissance artist, especially in his later altarpieces, where his sense of space seems in tune with Titian or Raphael. Bellini's style is very sweet. His paintings are full of a love for painting, and a love for his subjects. The ambiguities in his works do not arise from his intentions, which are, as with so many Renaissance painters, to be as exalting as possible. So his Madonnas and saints are lovingly painted.
     

    Painters Series   164pp   Illustrations, bibliography, notes

    The hardcover edition comes in a smart case laminate cover, with a matte finish, in full colour.
    Fully illustrated (94 illustrations), with many new illustrations for this edition.

    ISBN 9781861715421.  £19.99 / $29.99  HBK

    ISBN 9781861711649    £11.99 / $17.99  PBK
     
     
     
     

    ...craftsmen of Western art reveal better than anyone else the artist’s debt to the maternal body and/or motherhood’s entry into symbolic existence - that is, translibidinal jouissance, eroticism taken over by the language of art. Not only is a considerable portion of pictorial art devoted to motherhood, but within this representation itself, from Byzantine iconography to Renaissance humanism and the worship of the body that it initiates, two attitudes toward the maternal body emerge, prefiguring two destinies within the very economy of Western representation. Leonardo da Vinci and Giovanni Bellini seem to exemplify in the best fashion the opposition between these two attitudes. On the one hand, there is a tilting toward the body as fetish. On the other, a predominance of luminous, chromatic differences beyond and despite corporeal representation. Florence and Venice. Worship of the figurable, representable man; or integration of the image accomplished in its truthlikeness within the luminous serenity of the unrepresentable.

    (Julia Kristeva, from "Motherhood According to Bellini")


     



     
     

    Early Netherlandish Painting


    ...

    by Rosalind Mutter

    A fully illustrated survey of Early Netherlandish painting, featuring all of the major artists, and many lesser-known painters.
    Rosalind Mutter contrasts the wealth of Northern European art with the Italian Renaissance painters, and finds the Flemish artists every bit as rich and profound as Botticelli, Mantegna, Piero, Masaccio or Bellini.
    Early Netherlandish painting, also known as Flemish painting, is characterized by figurative realism, its incredible sense of domestic interiors and details, luminous light, its 'realist' faces, and its fusions of a micro- and macro- cosmic vision.
    We concentrate here on painters such as Rogier van der Weyden (1400-1464), Jan van Eyck (c. 1390-1441, commonly described as the founder of modern oil painting), Gerard David (c. 1460-1523), Hugo van der Goes (1440-1482), Hans Memling (1433-1494), Joos van Cleve (c. 1485-1540), Jan Gossaert, also called Mabuse (c. 1475/8-1532), Geertgen tot Sint Jans (fl. late 15th 1485/ 95), Quentin Massys (c. 1465-1530), Joachim Patinir (c. 1485-1524), Dieric Bouts (c. 1415-1475), Petrus Christus (fl. 1442-1473) and Bernard van Orley (c. 1488-1541).
    One of the most celebrated aspects of Early Netherlandish or Flemish painting is its heartfelt, intense religious emotion. It is this aspect that interests us in this book. The new aesthetic vision of Early Netherlandish art was later applied to still life paintings, satires, landscapes, and portraits, but it is the religious works with which we are concentrating on here.
     
     

    Painters Series   Bibliography, notes, illustrations   240pp

    HARDBACK   ISBN 9781861711656   £39.99 / $59.99
     
     





    Erotic Art In the Renaissance




    by Cassidy Hughes

    The history of erotic art in the Renaissance is explored in this detailed and fully illustrated survey.
    The major erotic artists of the Renaissance are featured, including: Titian, Michelangelo Buonarroti, Leonardo da Vinci, Artemisia Gentileschi,  Correggio, Diego Velasquez, Sandro Botticelli, Michelangelo Merisi de Caravaggio, Giovanni Bernini and Antonio Canova. Also included are the famous prints of Guilio Romano, Agostino Carracci and Friedrich von Waldeck illustrating sex positions. Plus many anonymous artists and works.
    ‘Erotic Art In the Renaissance’ also includes discussions of topics related to erotic art, such as art and pornography (illustrated with numerous examples) • censorship • the Madonna • Leda and the Swan • the female nude • the male nude • photography and eroticism • sex and religion • sexuality and Christianity • pagan and mythological erotic art • phallic art • lesbian art • orgasm • voyeurism • artists and models.
    The first part of this book on erotic art in the Renaissance uses short entries about aspects of erotic art (with examples from the whole history of erotic art). The bulk of the second part of the book focusses on the celebrated artists of the Renaissance whose work is considered erotic, as well as many anonymous works.

    Fully illustrated. This book contains many illustrations which are rare. And an introduction and bibliography.

    284 pages. Paperback

    ISBN 9781861715128. £14.99 / $22.99
     



     
     

     

    Glorification

    Religious Abstraction in Renaissance and 20th Century Painting


    ...

    by Jeremy Mark Robinson

    A study of the iconography, symbolism, abstraction and mythopoeia in Renaissance and modern art. Nine painters are explored in detail: Renaissance masters Fra Angelico, Fra Filippo Lippi, Sandro Botticelli, Piero della Francesca, Hans Memling, Leonardo da Vinci, Andrea del Sarto, and 20th century American abstract artists Brice Marden and Ad Reinhardt, whose Black Paintings mark the end of one path of religious art. Chapters include discussions of abstraction and figuration in sacred art; the hermeneutics of space, light, colour and abstraction; the iconology of the Virgin Mary, Christ and angels; the symbolism of geometry, numerology and colour.

    Jeremy Robinson's books include Rimbaud (1992), Lawrence Durrell (1995) and Detonation Britain: Nuclear War in the UK (1997). He edits two magazines, Passion and Pagan America (a journal of American poetry).
     
     

    Painters Series  With full index, bibliography and lists of over 650 artworks cited. Illustrated.  220pp  New, second edition   ISBN 1-871846-27-7    £15.99 / $25.00
     



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    Andy Goldsworthy   |   Art   |   Art in Close-Up Series   |   Sculpture   |   Painters   |   American Painters    |   Renaissance Painters   |   Renaissance Writers   |   Cinema   |   Media, Cinema, Culture, Feminism   |   Feminism and Gender Studies   |   Women Artists and Writers   |   Literature   |   Poetry    |   Contemporary Poetry   |   Novelists and Fiction   |   19th Century and Romantic Culture   |   European Writers   |   Fairy Tales   |   British Poets   |   Shakespeare Studies   |   Arthur Rimbaud Studies   |   D.H. Lawrence Studies   |   John Cowper Powys Studies   |   Thomas Hardy Studies   |   Hayao Miyazaki   |   John Hughes   | Brothers Grimm   |  Ursula Le Guin   |  J.R.R. Tolkien   |  Harry Potter and J.K. Rowling   |   Journals   |   Alchemy Records   |   Index of Titles, ISBNs, Dates and Prices   |   New Titles and Forthcoming Books   |   TV arts documentaries on DVD and video    |  Creative Writing groups   |   Authors' Mentoring and Guidance Service
     
     
     
     

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    The Erotic Object


    Sexuality in Sculpture From Prehistory to the Present: Special Edition


    ...

    by Susan Quinnell

    The power and eroticism of sculpture, form, volume and space are sensitively explored in this wide-ranging study, which takes in the history of sculpture from prehistoric times to contemporary art.
    Featuring discussions of many famous sculptors, including: Michelangelo Buonarroti, Antonio Canova, Auguste Rodin, Eric Gill, Andy Goldsworthy, Jasper Johns, Constantin Brancusi, Pablo Picasso, Barbara Hepworth and Gianlorenzo Bernini.
    Many contemporary artists are studied too, including installation and performance artists (Catherine Elwes, Karen Finley, Ana Mendieta, Carolee Schneemann), and women sculptors such as Alice Aycock, Mary Miss, Rebecca Horn, Nancy Graves, Eva Hesse, Kathe Kollwitz and Judy Chicago.
    Regardless of what sculpture depicts, it can be seen as erotic. The surfaces, materials and forms are  sensuous: wood, stone, marble, granite, clay,  bronze. Touching is  pleasure. It is a pleasure that is, perhaps, pre-institutional, pre-industrial and pre-political.
    Touching cuts through social and cultural constructs, such as art, ideology, education and war, and goes back to a primeval form of being. At  same time, touching is a sense of the  both personal and societal. John Keats said, 'touch has a memory'. Sculpture activates this fundamental relation with things. Sculpture renews contact with the simple but utterly crucial experiences such as touch, sight, and smell.

    Fully illustrated, with many rare and fascinating illustrations, including prints, paintings and buildings as well as sculptures and statues.

    This new edition has been completely updated, with many new ilustrations, a new introduction and bibliography.  296 pages
     

    PBK  ISBN 9781861714084  £19.99 / $29.99

    HDBK   ISBN 1-86171-174-3   £39.99 / $59.99

    HDBK    ISBN 9781861714092   £39.99 / $59.99
     
     



     

    The Erotic Object in Close-Up

    Sexuality in Sculpture From Prehistory to the Present Day

    ...

    by Susan Quinnell

    Sculpture’s sensual impact is explored in this new critical study, which ranges over the history of sculpture from prehistoric times to contemporary art. Space, place, form, colour, light, texture, scale, and the materials of sculpture.
    Featuring analyzes of many key artists in the world of sculpture: Michelangelo, Bernini, Arp, Gaudier-Brzeska, Canova, Rodin, Brancusi, Picasso, Duchamp, Cornell, Rauschenberg, Calder, Giacometti, Degas, Newman, Hesse, Judd, Morris, Smithson, Stella, Hepworth, Smith, Elwes, Finley, Schneemann, Aycock, Miss, Horn, Graves, Kollwitz and Chicago.
     
     

    Art in Close-up Series   Bibliography, notes, illustrations   112pp  ISBN 1-86171-077-1  £19.99 / $32.00   forthcoming
     



     
     


    Sex in Art

    Pornography and Pleasure in the History of Art and Design: Special Edition

    ...

    by Cassidy Hughes

    A comprehensive and detailed survey of erotic art from ancient times to the modern era.

    All of the major erotic artists of the Western tradition are analyzed (Egon Schiele, Hans Bellmer, Thomas Rowlandson, Pablo Picasso, Titian, Jean Baptiste Dominique Ingres, Felicien Rops, Leonardo da Vinci, Edgar Degas, and Eric Gill).
    Other chapters include erotica in ancient Greece, Rome and Egypt, Oriental erotic art (Taoist and Tantric art from China, Japan and India), gender and eroticism in Renaissance art, and the sensuality of sculpture. Each chapter contains illustrations. A discussion of the complex relationship between art and pornography provides the central critical axis for this challenging book. Each of the major views on erotica and porn are examined, from each political persuasion and argument. There are also chapters on censorship, on feminism, and the relation of erotic art to erotic literature.
    There are individual sections on many of the key erotic artists, such as Michelangelo Buonaroti, Leonardo da Vinci, Eric Gill, Gustave Moreau, the Surrealists, Jasper Johns, Constantin Brancusi, Egon Schiele, and Gustav Klimt.

    Cassidy Hughes is a writer and photographer. His previous books include Images of India (1982), Petrarch, Dante and the Troubadours (1992) and Sex in Art (1993). His photographs have been exhibited in London, Rome, Hong Kong and New York (among others). He lives near St Just in West Penwith, Cornwall.
     

    This new, special (4th) edition contains many new illustrations (some of which are rare), a new introduction and bibliography.
    The text has been completely revised and updated.
     

    Bibliography, index, 158 illustrations  New, special edition  464pp

    PAPERBACK   ISBN 9781861713322   £24.99 / $36.99

    HARDBACK   ISBN 9781861713933   £39.99 / $59.99
     
     

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    Sacred Gardens

    The Garden in Myth, Religion and Art


    ...

    by Jeremy Mark Robinson

    The garden, even the smallest and most modest of front lawns, is a miniature version of Paradise. This book relates gardens to sacred places, such as churches, temples, stone circles, mosques and mythic gardens. The nostalgic myth of a 'Golden Age', Arcadia or Paradise lies at the heart of this study of the history of gardens.
     
     

    With notes and photographs  35pp  ISBN 1-871846-86-2     £7.99 / $12.50
     



     
     

     RENAISSANCE PAINTERS

  • Leonardo da Vinci
  • Piero della Francesca
  • Fra Angelico
  • Giovanni Bellini
  • Early Netherlandish Painting
  • Glorification: Religious Abstraction in Renaissance and 20th Century Painting
  • The Erotic Object: Sexuality in Sculpture From Prehistory to the Present Day
  • The Erotic Object  in Close-Up
  • Sex in Art: Pornography and Pleasure in Painting and Sculpture
  • Sacred Gardens: The Garden in Myth, Religion & Art

  •  

     
     











    10% educational discount for schools, colleges,universities.

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    Andy Goldsworthy   |   Art   |   Art in Close-Up Series   |   Sculpture   |   Painters   |   American Painters    |   Renaissance Painters   |   Renaissance Writers   |   Cinema   |   Media, Cinema, Culture, Feminism   |   Feminism and Gender Studies   |   Women Artists and Writers   |   Literature   |   Poetry    |   Contemporary Poetry   |   Novelists and Fiction   |   19th Century and Romantic Culture   |   European Writers   |   Fairy Tales   |   British Poets   |   Kate Bush  | Shakespeare Studies   | Arthur Rimbaud Studies   | D.H. Lawrence Studies   |   John Cowper Powys Studies   |   Thomas Hardy Studies   |   Hayao Miyazaki   |   John Hughes   | Brothers Grimm   |  Ursula Le Guin   | J.R.R. Tolkien   | Harry Potter and J.K. Rowling   |  Mind, Body, Spirit  |  Journals   |   Alchemy Records   |   Index of Titles, ISBNs, Dates and Prices   |   New Titles and Forthcoming Books   |   TV arts documentaries on DVD and video    |  Creative Writing groups   |   Authors' Mentoring and Guidance Service



     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

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